Chatting with Alan Wilder by Henrik Wittgren. 23th September, 1997
Henrik Wittgren
Chatting with Alan Wilder
Date: Tue, 23 Sep 1997 21:24:40 +0100
From: Henrik Wittgren
Yesterday i got the chance to meet Alan for an interview. I had 30 minutes, but I also talked to Alan for about 15 minutes after the interview..just normal talk (no interview questions). Some days before I got the new album from Mute just for preparing the interview. There are 9 tracks:
Incubus
Drifting (also forthcoming single)
Luscious Apparatous
Stalker
Red River Cargo
Control freak
Missing Piece
Last Breath
Shunt
I think Stalker, Luscious App. and Red River Cargo are the best ones....now to the meeting with Alan!
I came to the hotel about 2 hours before the interview
I waited on a parkbench outside the hotel...after 1 hour Alan and some journalists came out for doing some kind of photosession. When it was my turn I walk into the hotels restaurant and met the mute manager. The interview was delayed for about 5 minutes...I drank a Cola and spoke to the mute manager and Alans wife...the 5 minutes went very slow. I installed the tape recorder and said hi to Alan. I was quite nervous the first question but when I realized that Alan really seemed to enjoy my questions I became very cool
When my time was out I there seemed to be a pause to Alans next interview...I spoke about 10 minutes with Alan about Swedish music, Depeche Mode-sleeves (antons works) and some other topics... I'm going to listen to the interview-tape now and write down the questions/answers! Dont complain on my bad English!
H=me=Henrik Wittgren
A=Alan
H: Its a long time since the last (bloodline) album and much have changed. Whats the difference between Unsound methods and your previous albums?
A: The previous Recoil album was really an instrumental record but we ended up with some vocals on it, but it essentially remained as an instrumental record. So the vocals really were like an afterthought. This time...as the music came together it became clear that every track really required vocals to make it really complete and i was determined this time to push the project so it didnt have anything lacking at the end in my mind anyway. So thats the main difference. And of course, instrumentually it moved on for me well its probably a lot less electronics and less programms and I has a sort of looser feel and it's a bit dark.
H: You have a lot of guest singers on the new album and Recoil seems to be a very free project for you. What do you think about that?
A: for me its essential really in these day...to have that kind of freedom..it was main reason really for leaving Depeche and I've done this project before as a side project to depeche and I wanted to have more time for it and more control of what i'm doing. I felt like I didnt want to be in a group anymore and this project has many advantages if i keep it the way it is where i bring people in to contribute you know..something to it but not to become a permanent member then I can really do just about anything I want to do with it and I like the idea, it keeps changing and new people come into it...
H: Why did you choose "Drifting" as the forthcoming single?
A: Well I think the album doesnt really have what I would call that many radio friendly tracks on it. Its quite dark. So Drifting is probably one of those maybe two or free that are more likely yhe ones the play on the radio and thats really the reason..but well I like the track and it has some sort of more melody with the vocals...some of the other vocals are quite...narrative(?)..they are spoken...
H: What are the words about?
A: Well...I dont write the lyrics so I'm possibly the right person to ask. All of the singers on this album wrote their own lyrics.. Siobhan Lynch whos singing on drifting..her words are quite ambigious so.. you could have different meanings too.. I have an idea in my mind..but I never thought of asking her to tell my...just in case it destroys my own vision...and I think the listener should have that choise as well so I think its better to leave it open and let the listeners make up their own mind what its about.
H: How long have you been working with the album and are you satisfied with the result?
A: I started work last september and finished in June so it took about 9 months with a couple of breaks... Yes essentially i'm happy with the result..i think is the most focused thing I've done and the most completed. There always a side of me that things I could have done something better, but I think thats not a natural reaction...you always feel that you can do more and do better...
H: You have worked with many different peoples in your career. Who do you want to work with in the future? Do you have any dreams?
A: Well. Actually you say that I have worked with a lot of people..but...most of the time in Depeche Mode we didnt work as a group and we didnt used to bring people in..the last album we done..we did have some extra musicians but that was the only one. As I said there is a lot of advantages to having this...I can bring in people..and...I always try to find someone new to work with and think its a real challange to keep your hope(?) It makes you do things differently if you work with a stranger, somebody new...so I like to give myself that challange to find intresting new people each time...so i should carry on looking for new people to work on the next project which I hope will start quite soon.
H: Where do you find your inspiration?
A: Well I try to...I mean..its elements of everything I listening to...so I think a lot of the rhythm on this record are influences by hip-hop...and...many british bands like Portishead and Massive Attack have influenced me too...I think the last album with Recoil..and the Depeche Mode albums are a little bit to much programmed..so i was constantely trying to do something like this...I also bring influences from all my other musical taste...which includes...Classical music, soundtracks, and traditional irish..grunge..
H: Do you like going to other groups gigs?
A: Well, I dont go to many gigs these days to be honest..sometimes I find that I'm to close to it...well I go to a gig and all I can see is the setting up of the scene..and imagine the backstage...I cant just enjoy it for what it is...Generally I dont go to many gigs but I listen to a lot of music which I just mentioned before... I have a huge collection of cds and vinyls...well...I'm the kind of people who hear one track on the radio and then I go and buy the whole album instead of just buying the single... and usually i'm just disapointed with the album...so these days...i moved away from buying too many poprecords...i reasearch all the musicareas...like soundtracksareas are really interesting...