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Depeche Mode Depeche Mode (Smash Hits, 1981)

demoderus

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Depeche Mode
[Smash Hits, 30th April 1981, Words: Ian Cranna. Picture: Paul Slattery.]
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English text 2
Polish translation
 
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demoderus

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A longer-than-usual news item introducing Depeche Mode to the general public in one of their first appearances outside of higher-brow papers such as Sounds and NME. Admirable in that the writer has stuck to the factual and away from the fluff.
" Our music’s not futurist. Vince just writes pop songs. "
SMASH HITS, 30th APRIL 1981

“We just liked the sound of ‘Depeche Mode’ – it has no meaning at all.” That’s how the band describe the way they came to adopt their name (literally “hurried fashion”) (I thought it meant Fashion-conscious fish – Ed.) from a French magazine, but in some ways it also neatly sums up the band themselves.

Depeche Mode have been in existence for just over a year now, formed initially by Basildon school pals Martin Gore and Andrew Fletcher with songwriter and ex-folkie (!) Vince Clarke. Vocalist Dave Gahan arrived later after auditions and completed the present line up.

Around this time the band were still using conventional instruments but these were abandoned, according to Vince, because the band were “fed up with the sounds, or their inability to create interesting sounds”. Intrigued by a synthesizer which Martin had acquired, they opted instead for all-synthesizer instrumentation.

This in turn attracted the interest of Daniel Miller, head of Mute Records, this country’s most important electronic label and already the home of The Silicon Teens and Fad Gadget. The outcome of Daniel’s interest was the excellent “Dreaming Of Me” which has been hovering outside the Top Forty for the past few weeks.

Apart from the single, the band have also contributed “Photographic” to the recent “Some Bizzare” futurist compilation but, despite the fact that Dave was once a regular Blitz attender, it’s a connection which the band are keen to play down. Already their own use of make-up and flamboyant clothes has been toned down. They view futurism as an artificial creation and it’s not an image they want to be saddled with for life.

“It’s just a fashion,” says Vince, “It’s a word that’s caught on, that’s all.”

“Just because we use synthesizers,” echoes Dave, “we get classed as a futurist band. Our music’s not futurist. Vince just writes pop songs.”

In fact Depeche Mode are quite happy to describe their light, uncomplicated and very melodic sound as ‘pop’, something they see as covering lots of fields. ‘Nice’ and ‘happy’ are other words they use when talking about their music.

“It’s not serious,” Vince agrees. “That’s quite good in itself.”

Nor are there any messages coming over in their lyrics. Andrew maintains that the music is more important than the words while Vince admits that his main interest in the lyrics is in “the sound of the words rather than the meaning.”

Which is where we came in, is not not?
 

demoderus

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Smash Hits
Date: April 1981
Pays: Royaume-Uni
 

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demoderus

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Smash Hits 1981. The second mention ever by Ian Cranna.
Second ever mention in Smash Hits ! (1981)
Words : Ian Cranna

"WE JUST liked the sound of 'Depeche Mode' - it has no meaning at all." That's how the band describe the way they came to adopt their name (literally "hurried fashion") (I thought it meant Fashion-conscious fish - Ed.) from a French magazine, but in some ways it also neatly sums up the band themselves.

Depeche Mode have been in existence for just over a year now, formed initially by Basildon school pals Martin Gore and Andrew Fletcher with songwriter and ex-folkie(!) Vince Clarke. Vocalist Deve Gahan arrived later after auditions and completed the present line up.

Around this time the band were still using conventional instruments but these were abandoned, according to Vince because the band were "fed up with the sounds, or their inability to create interesting sounds." Intrigued by a synthesiser which Martin had acquired, they opted instead for all-synthesiser instrumentation.

This in turn attracted the interest of Daniel Miller, head of Mute Records, this country's most important electronic label and already the home of The Silicon Teens and Fad Gadget. The outcome of Daniel's interest was the excellent "Dreaming of me" which has been hovering outside the Top Forty for the past few weeks.

Apart from the single, the band have also contributed "Photographic" to the recent "Some Bizzare" futurist compilation but, despite the fact that Dave was once a regular Blitz attender, it's a connection which the band are keen to play down. Already their own use of make-up and flamboyant clothes has been toned down. They view futurism as an artificial creation and it's not an image they want to be saddlet with for life.

"It's just a fashion," says Vince. "It's a word that's caught on, that's all."

"Just because we use synthesisers," echoes Dave, "we get classed as a futurist band. Our music's not futurist. Vince just writes pop songs."

In fact Depeche Mode are quite happy to describe their tight, uncomplicated and very melodic sound as "pop", someting they see as covering lots of fields. "Nice" and "Happy" are other words they use when talking about their music.

"It's not serious," Vince agrees. "That's quite good in itself."

Nor are there any messages coming over in the lyrics. Andrew maintains that the music is more important than the words while Vince admits that his main interest in the lyrics is in "the sound of words rather than the meaning."

Which is where we came in, is it not?
 

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demoderus

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(1981) Druga wzmianka w Smash Hits​

"Po prostu spodobało nam się brzmienie słów 'Depeche Mode' - nie było ważne co one oznaczają." Tak zespół opisuje w jaki sposób zaadoptowali dla siebie nazwę (dosłowanie "szybka moda") (myślałem że to znaczy "Modna ryba" - przyp. red.) z francuskiego magazynu, ale pod pewnymi względami nazwa ta trafnie podsumowuje zespół.

Depeche Mode istnieje nieco ponad rok, założona początkowo przez mieszkających w Basildon szkolnych kolegów Martina Gore'a Andrew Fletchera oraz autora piosenek ex-mieszkańca wsi (!) Vince'a Clarke'a. Wokalista Dave Gahan dołączył do grupy później, po przesłuchaniach i uzupełnił poprzedni skład zespołu.

Wtedy zespół używał jeszcze konwencjonalnych instrumentów, ale zarzucili je dość szybko, bo jak stwierdził Vince zespołowi "przejadły się takie klasyczne dźwięki, nie byli w stanie tworzyć interesującej muzyki". Zaintrygowani syntezatorem posiadanym przez Martina, postanowili zmienić instrumentarium na całkowicie elektroniczne.

Ta zmiana przyciągnęła uwagę Daniela Millera, szefa Mute Records, najważniejszej w kraju firmy nagraniowej zajmującej się muzyką elektroniczną, gdzie nagrywali już Silicon Teens i Fad Gadget. Wynikiem tego zainteresowania był doskonały singiel "Dreaming of me", który krążył w okolicach pierwszej czterdziestki listy najlepiej sprzedających się singli przez kilka ostatnich tygodni.

Poza singlem, zespół nagrał piosenkę "Photographic", która dołączona była do futurystycznej kompilacji "Some Bizzare", ale pomimo tego, że Dave towarzyszył kiedyś regularnie futurystycznemu zespołowi Blitz, grupa chce zapomnieć o powiązaniach z tym nurtem. Obecnie stonowali styl charakteryzacji i zrezygnowali z przeładowanych ozdobami ubiorów. Futuryzm uważają za sztuczną twórczość, a jest to wizerunek grupy, którym nie chcieliby być obarczeni na całe życie.

"To jest teraz modne," - mówi Vince - "Tak przyjęło się mówić, ot co."

"Tylko dlatego, że używamy syntezatorów," - dodaje Dave - "zostaliśmy sklasyfikowani jako zespół futurystyczny. Nasza muzyka nie jest futurystyczna. Vince pisze piosenki pop."

W Depeche Mode są całkiem szczęśliwi, jeśli określa się ich mocną, nieskomplikowaną i bardzo melodyczną muzykę jako "pop", określenie, pod którym może kryć się bardzo wiele. "Miła" i "Radosna" - to inne słowa, jakich używają mówiąc o swojej muzyce.

"Nie jest poważna," - zgadza się Vince - "Ale to własnie jest w niej całkiem fajne."

W ich utworach nie ma wiele przekazów. Andrew twierdzi, że muzyka jest ważniejsza od słów, podczas gdy Vince przyznaje, że przy pisaniu tekstów interesuje go bardziej "brzmienie słów, aniżeli ich znaczenie."
 
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