- Joined
- Aug 15, 2019
- Messages
- 7,500
- Reaction score
- 145
- Points
- 63
| Title | Time | Album | Remixer | |||
|---|---|---|---|---|---|---|
| Counterfeit e.p. Outtake, "Counterfiet" Outtake, Demo, Gore Cover, Martin Gore - Demo | 2:48 | Down In The Boondocks, Some Great Reward Remixes [Demo 5005], Forgotten But Not Lost, ...But Rare | Phil Spector | |||
| Demo, Spector Mix | 2:42 | The Great Remixes 04 (2002) | ||||
| Counterfeit EP Session | 2:43-2:45 | Rareties Of Mode (2001) | ||||
| Martin L. Gore Counterfeit e.p. Outtake, Demo | 2:47 | Demo Compilation (2014) [ligushka] | ||||
| Martin L. Gore Counterfeit e.p. Outtake | 2:49 | Demos and Studio Outtakes (2018) [dm live Wiki] | ||||
| Martin Gore Demo | 2:50 | Some Great Reward - Remixes (2002), Make Louder when You Hear Depeche Mode 21 (2013) | ||||
| 'Studio Tapes' Bootleg', Martin Gore-Demo, Down In the Boom Docks, Cover | 2:49-2:50 | Studio-Tapes, Goretrax And Lost Mixes (2001), Enjoy The Bootleg 12 | ||||
| Session | 2:51 | The 33th Strike - Millennium 33 (2006) | ||||
| Down in the Boom Docks (Session) | 2:51 |
| другая версия | |||
| Spector Mix, Cover Martin Gore Solo, Down in the Boondox (Demo)б Down In The Boon Docks 6 (Spector Mix) | 2.48, 2:50, 2:54 | Ultra Rare Trax 3 (1992), Demos And Outtakes 2 (2001), Remix Green, Studio-Tapes (1993), Studio Tapes Bootleg (1999) | Phil Spector | |||
| Tom'Lo Rain Mix, Tom Lo Rain Mix | 4:08 | 21 Days (2007) | Tom'Lo |
Martin’s nifty guitar playing was a major revelation. He’d often turn away from the cranky computer, pick up his acoustic and launch into an Everly Brothers song, or even John Denver, and I’d happily join in on harmony. I managed to record one of these jams (without my harmonies), the old Billy Joe Royal classic Down In The Boondocks (written by Joe South). We thought this was great until Fletch came down for a visit and opined “sounds like bleedin’ Dave Edmunds”, so that killed that one. Somehow though it has found its way onto YouTube.

"This track was fully completed as part of the project but Martin was unable to obtain the relevant permission for releasing it as part of counterfeit." "[This track was] originally recorded and included on the very early Mute studio tapes."