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Depeche Mode Interlude 3
Interlude 3 All Remixes
Interlude 3 All Cover Versions
| Album Version | Violator | ||
| Demo, Demo Version, Interludium - Demo, Martin L. Gore Demo, Studio Outtake, Studio Pre-Mix | 1:10 | Perversion, Ultra Rare Trax 6 - Millennium Remixes, The Demo Collection (2014), Demos Compilation (2018), Demos and Studio Outtakes (2018), Looking Back Maximum 4 | |
| Extended Remix | 4:26 | Violator (Island Remixes) | Island |
| Kaiser Extended Mix | 2:40 | Editing The Mode Vol. 7: Violator | K_S |
| Reaps Clean Introduction | 1:51 | Reaps Remix Collection Vol.3 | Reaps |
| The End of Ultra Strike | 0:45 | Ultra Strike 44: The Last Strike | X-tended |
| Winter Mix | 1:17 | Violator Version 2005 | Great Grey Owl |
| Mixed Emotions | 2:18 | Fc.uK Vol. 2 (Female Intervention) | Favourite Consciousness |
| World's Out | 4:11 | Gold Remixes 1998-1999 (CD3) | Island |
Interlude 3 All Cover Versions
| Neil Smith | Glare Mix | 0:49 | Glare: The Music of Depeche Mode |
| Slapper | Prelude | 0:58 | Devoted 5 |
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'Interlude No. 3' is the second of two unlisted instrumental interludes that appear on the 1990 Depeche Mode album Violator. It is the first interlude by Depeche Mode to not feature a subtitle, as is the naming convention set by the preceding 'Interlude No. 2 - Crucified' from the same album and 'Interlude No. 1 - Mission Impossible' from 1987's Music For The Masses. The interlude occurs between 'Blue Dress' and 'Clean' and features a string and clarinet duet embellished by reverberated vocal stabs interspersed with washes of ambient noise, producing a contemplative instrumental interlude that serves as a dramatic build-up to the final moments of Violator.
Alan Wilder comments on the production of this interlude in the Violator section of the Recoil Q&A section :
This interlude features the first known example of a non-vocal, non songwriting-focused musical contribution by Dave Gahan, and the second known example of a vocal delivery by Andrew Fletcher featured on a Depeche Mode album (the first being a backing vocal heard during the outro of 'The Sun & The Rainfall').
Alan Wilder comments on the production of this interlude in the Violator section of the Recoil Q&A section :
"Dave plays a unique form of guitar. He has his own 'special' style. We used some of his playing as sound effects in one of the crossfade sections of 'Violator'."
This interlude features the first known example of a non-vocal, non songwriting-focused musical contribution by Dave Gahan, and the second known example of a vocal delivery by Andrew Fletcher featured on a Depeche Mode album (the first being a backing vocal heard during the outro of 'The Sun & The Rainfall').
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